THE ARCHIVE

From my earliest personal projects, collaborations, commercials, and first television shows: this is where I began. Select a category below to filter.

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  • The Wordball Is My Oyster

    The Wordball Is My Oyster

    Sesame Workshop hired me in 2008 for this reboot of their classic "The Electric Company." I quickly learned how to shoot efficiently with two cameras and build sequences I could execute in the short days of young actors. They kept me around for the whole run and I directed 23 episodes. The show won many Emmys, and I especially love the musical sequences we created, with music by the geniuses that later created "Hamilton."

  • Bananas

    Bananas

    Sesame Workshop hired me in 2008 for this reboot of their classic "The Electric Company." I quickly learned how to shoot efficiently with two cameras and build sequences I could execute in the short days of young actors. They kept me around for the whole run and I directed 23 episodes. The show won many Emmys, and I especially love the musical sequences we created, with music by the geniuses that later created "Hamilton."

  • Friends Or Aunts

    Friends Or Aunts

    Sesame Workshop hired me in 2008 for this reboot of their classic "The Electric Company." I quickly learned how to shoot efficiently with two cameras and build sequences I could execute in the short days of young actors. They kept me around for the whole run and I directed 23 episodes. The show won many Emmys, and I especially love the musical sequences we created, with music by the geniuses that later created "Hamilton."

  • Lights, Camera, Beetles

    Lights, Camera, Beetles

    Sesame Workshop hired me in 2008 for this reboot of their classic "The Electric Company." I quickly learned how to shoot efficiently with two cameras and build sequences I could execute in the short days of young actors. They kept me around for the whole run and I directed 23 episodes. The show won many Emmys, and I especially love the musical sequences we created, with music by the geniuses that later created "Hamilton."
  • A Whole New Francine

    A Whole New Francine

    Sesame Workshop hired me in 2008 for this reboot of their classic "The Electric Company." I quickly learned how to shoot efficiently with two cameras and build sequences I could execute in the short days of young actors. They kept me around for the whole run and I directed 23 episodes. The show won many Emmys, and I especially love the musical sequences we created, with music by the geniuses that later created "Hamilton."