THE ARCHIVE

From my earliest personal projects, collaborations, commercials, and first television shows: this is where I began. Select a category below to filter.

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  • Fat Guy - Ep 1

    Fat Guy - Ep 1

    Adult Swim | 2008
    "Fat Guy Stuck In Internet" was my first TV show and remains one of my favorite productions. We worked nearly a year shooting green screen, partial sets and miniatures out of a Brooklyn warehouse to bring John Gemberling and Curtis Gwinn's show to life. I still adore every frame we built.
  • Fat Guy - Ep 2

    Fat Guy - Ep 2

    Adult Swim | 2008

    "Fat Guy Stuck In Internet" was my first TV show and remains one of my favorite productions. We worked nearly a year shooting green screen, partial sets and miniatures out of a Brooklyn warehouse to bring John Gemberling and Curtis Gwinn's show to life. I still adore every frame we built.

  • Fat Guy - Ep 3

    Fat Guy - Ep 3

    Adult Swim | 2008
    "Fat Guy Stuck In Internet" was my first TV show and remains one of my favorite productions. We worked nearly a year shooting green screen, partial sets and miniatures out of a Brooklyn warehouse to bring John Gemberling and Curtis Gwinn's show to life. I still adore every frame we built.
  • Fat Guy - Ep 4

    Fat Guy - Ep 4

    Adult Swim | 2008
    "Fat Guy Stuck In Internet" was my first TV show and remains one of my favorite productions. We worked nearly a year shooting green screen, partial sets and miniatures out of a Brooklyn warehouse to bring John Gemberling and Curtis Gwinn's show to life. I still adore every frame we built.
  • Fat Guy - Ep 7

    Fat Guy - Ep 7

    Adult Swim | 2008
    "Fat Guy Stuck In Internet" was my first TV show and remains one of my favorite productions. We worked nearly a year shooting green screen, partial sets and miniatures out of a Brooklyn warehouse to bring John Gemberling and Curtis Gwinn's show to life. I still adore every frame we built.
  • Fat Guy - Ep 9

    Fat Guy - Ep 9

    Adult Swim | 2008
    "Fat Guy Stuck In Internet" was my first TV show and remains one of my favorite productions. We worked nearly a year shooting green screen, partial sets and miniatures out of a Brooklyn warehouse to bring John Gemberling and Curtis Gwinn's show to life. I still adore every frame we built.